What keeps Trank coming back, however, is his ability to craft some really great scenes. Dark, moody and – at times – self-destructive, it feels like Capone’s material speaks to Trank’s personality and career in a personal way, but much like his other projects, it never quite comes together with an overarching big idea.
Read MoreHalf the time I was amused by how Ritchie can keep the most convoluted plots with an extraneous number of screwball characters interesting, but the other half of the time I’m fiddling with the keys in my pocket pretending I have some sort of fast forward button.
Read MoreIt turns out that observing how time withers men who believe they’re impervious to everything, especially the law, is an essential add-on to Scorsese’s body of work. Appropriately, it’s a movie about the ravages of time that would have been impossible to make without the hundreds of years of collective experience of the cast and crew.
Read MoreBeyond the visceral, in-the-moment thrills of gangster movies - the shootouts, the acidic dialogue, the displays of power - one of the most compelling things the genre can offer is a meditation on trust. When a low-level thug aspires to lead his own crew, which of his friends can he count on to get him there? Once he becomes the boss, do the guys he leaned on in the past hold true? And what about at home - in the world of organized crime, can a gangster ever rely on the people he loves?
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