Whatever the motivation, there’s no doubt that the new movie, from David Lowery (Pete’s Dragon, A Ghost Story) is a fine way for Redford to make his exit (if that is indeed the case). The Old Man and the Gun is a smooth, lively, and warm experience; it doesn’t break new ground, but proves that even in 2018, you don’t need a lot of flash or a lame gimmick to hold an audience’s attention. All it takes is some confident filmmaking, some chemistry between the stars, and a “so crazy it must be true” story.
Read MoreBut in a bizarre meta twist, it also looks inward, pre-emptively questioning its own message and those of its compatriots. The movie seems to ask, “Is this really progress? Or are we merely packaging up social commentary in a form that’s still palatable for white people?”
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