REVIEW: ‘Sound of Metal’ finds peace in the loss of sensation

What Ruben desperately wants is a fix to his hearing loss - not unlike the other kind of fix he used to depend on. The grief he feels for the life he’s lost comes in waves. But in an echo of his past efforts to get clean, Ruben gradually adjusts to the strictures of the program and makes new friends. Unfortunately, he also offsets his progress…

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REVIEW: 'Mank' is an impeccably crafted insider tale, for superfans only

As good as the cast and the script are - setting aside how you feel about Oldman, 62, playing a 43-year-old - the setting and Fincher’s self-indulgent flourishes still make me hesitate before recommending it to everyone. If you’re a ride-or-die Fincher fan, or a committed listener of a film history podcast like You Must Remember This, climb aboard.

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[VIFF 2020] REVIEW: ‘Special Actors’ is a sweet-hearted but predictable comedy

The movie delivers a series of slapstick scenes with increasingly frantic stakes, and it’s a lot of fun to watch the fictional acting troupe carrying out their plans. But despite how often the film focuses on Kazuto and his condition, the bare sketch of its origins makes it hard to sympathize with him.

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[VIFF 2020] REVIEW: Hands up for 'Another Round'

Thankfully, there’s no hammer-over-the-head moment that blasts what the four buddies have done, but their overindulgence does extract a fairly heavy cost. Credit goes to Vinterberg, who finds the right balance in showing how drinking can reduce barriers and bring people together, but also how much destruction it can cause.

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[VIFF 2020] REVIEW: 'Falling' sends you into the abyss but never quite pulls you back out

Even though John and Willis have a big cathartic fight that leads to an emotional embrace, it doesn’t feel like there’s a higher level of understanding between the two characters to be attained. Mortensen the director is reaching for this one moment where a strained father-son relationship could be understood, but that moment never quite comes.

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[VIFF 2020] REVIEW: 'My Salinger Year' thankfully doesn't last that long

There are various moments throughout the film where I was left scratching my head, to the point where I wasn’t quite sure how to tie everything together for this review. But I kept coming back to these five main points where the film either missed the mark or left me absolutely bewildered.

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[VIFF 2020] REVIEW: ‘Tales of the Lockdown’ won’t outlast the pandemic

Some credit has to be given to the filmmakers for the constraints they worked under: tight spaces, entry-level equipment, stringent health and safety protocols. But most of the stories still feel overly rushed, with unconvincing characters and scenarios that don’t rise beyond what’s been posted on platforms like TikTok or Twitter during this time.

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[VIFF 2020] REVIEW: 'Yalda, a Night for Forgiveness' should deliver a lot more

Director Massoud Bakhshi felt it necessary to introduce several twists to the story, and it’s debatable if it added any more tension or identity to the characters. Did we really need further explanation why Mona had such a vested interest in her father’s empire? Did we really need that twist to further root for Maryam?

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[VIFF 2020] REVIEW: 'My Prince Edward' is no fairy tale, but it's still a good one

It’s clear that Fong is unhappy with Edward, and Edward is similarly unmotivated in making any changes to their lives, but there’s little recourse either way because they have little financial and political means to drastically change their futures. Rather than watching the characters meander around the streets of Hong Kong, Edward and Fong’s cramped apartment forces them to confront their problems.

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[VIFF 2020] REVIEW: ‘The Reason I Jump’, a sensory-immersion documentary on autism

It’s the movie’s sound design and editing that makes you take notice; to try to replicate how autistic people process the world, amplifying and fixating on certain details, the filmmakers use extreme close-ups and precise, overwhelming sound mixing. The real experience of autism may well remain beyond what movies can convey, but this is the closest I’ve seen any project come.

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[VIFF 2020] REVIEW: ‘Events Transpiring Before, During, and After a High School Basketball Game’ probably happened on a Tuesday

There’s some genuinely funny moments that’s part Napoleon Dynamite and part The Breakfast Club, but there’s a lack of an overarching arc to tie it altogether. I guess ETBDAHSBG’s supposed to be a slice of life and represent an awkward yet normal day of high school, but perhaps that’s why it’s not very engaging. It feels like a bunch of forgettable SNL skits cobbled together, and there are times where it just drags.

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[VIFF 2020] REVIEW: 'A Life Turned Upside Down: My Dad's an Alcoholic' provides laughs and tears

A Life Turned Upside Down: My Dad’s an Alcoholic is a funny and touching look at what happens when self-destruction pulls everyone down. Based on a semi-autobiographical web comic by Mariko Kikuchi, director Kenji Katagiri’s sensitive touch and ability to mix humour with the dark depths of human emotion elevates this film above your usual melodramatic fare.

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[TIFF 2020] REVIEW: ‘Shiva Baby’ unleashes charming but brutal cringe comedy

We’re treated (or perhaps subjected) to 60 minutes of non-stop social tension; think of the most intense moments of cringe comedy from a season or two of The Office, lined up into one wince-inducing package. No matter where Danielle goes at the gathering, she struggles to stay a step ahead of every fib she needs to tell - about her whereabouts that morning, her fake job as a babysitter, her program at school. The deeper the hole Danielle digs for herself, the more embarrassed we feel for her.

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[TIFF 2020] REVIEW: ‘Shadow in the Cloud’ is a wartime horror with a troubled origin

Garrett’s troubles increase with the arrival of two enemies: the Japanese air force, and a thoroughly supernatural addition, a gremlin. Yes, perhaps I forgot to mention: Shadow in the Cloud is also a creature feature. In an homage to the 1963 Twilight Zone episode “Nightmare at 20,000 Feet”, starring William Shatner, Garrett is plagued by a bat/monkey-like creature that’s trying to tear the plane apart in mid-air.

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TV REVIEW: ‘The Boys’ Season 2 cues up more diabolical satire

The first half of the season spends a lot of time laying groundwork. Whereas the first season was more character-driven, often choosing several characters per episode to focus on, now the show takes on a more plot-driven, serialized structure. There’s a trickle of information about Stormfront, and the side hustle she may be running to import supervillains into the country. There’s also a comic-relief arc running between episodes with The Deep (Chace Crawford), who has accidentally joined a sort of Scientology-like cult in Ohio.

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